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Harrogate Theatre has announced that Tim Stedman will star in this year’s pantomime once again.

Mr Stedman will be making his 24th panto appearance in Harrogate, where he has become a huge fan favourite playing the fool.

He will take on the role of Phillipe Fillop in Beauty and the Beast, which will run from Wednesday, November 27 to Sunday, January 19.

The announcement was met with joy by fans on social media who posted comments such as ‘Tim IS Harrogate panto’ and ‘the man is the very definition of a legend’.

Mr Stedman previously spoke to the Stray Ferret about performing in Harrogate in an interview here.

Harry Wyatt

The theatre also announced Harry Wyatt will return to take on the role of Madame Bellie Fillop the sous chef.

Further cast announcements have yet to be made but Howard Chadwick, who co-starred with Mr Stedman for many years in Harrogate, won’t be back in 2024.

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Review: RAOS’s Sister Act is happy, hilarious and vibrantReview: RAOS’s Sister Act is happy, hilarious and vibrant

Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com. 

Ripon Amateur Operatic Society brought the house down at Harrogate Theatre last night with their take on the feel-good musical comedy, Sister Act.

Grace Knill assumes the role of sassy heroine Deloris van Cartier, a singer and wannabe star who is forced into hiding in a convent after witnessing a hit by her gangster boyfriend. Arriving to a frosty reception by the nuns’ stern Mother Superior (an excellent Rowenna Naylor), Deloris ultimately finds her purpose: to help the ladies learn how to sing.

Knill makes for a perfect Deloris; with joyful energy, she captures the humour and warmth of her character, belting out one showstopper after another with ease.

There are so many great personalities in this show, and the cast do them real justice, embracing their roles with gusto, providing a sense of warmth, familiarity and connection; audience members are drawn into the narrative easily.

Chris Wall as Deloris’ nasty ex, Curtis, and his trio of hilariously hapless gangsters, TJ (Luke Bailey), Joey (Will Thirlaway) and Pablo (Elliot Hutchinson), drew the biggest laughs, their choreography planned and executed to a T.

RAOS transport us to 1970s Philadelphia, with set, costume and sound combining to create an eruption of vibrant vivacity and fun on stage. John Atkin’s band sprinkle sparkle on the musical, with a good splash of soul and upbeat funk.

I had some difficulty hearing the occasional lyric early on, and many of the songs are appreciably tricky ones to sing, especially above a band, but any initial teething issues were swiftly ironed out. With banger after banger, you’re sure to come away feeling good.

A production filled with habits aplenty, gun-wielding gangsters, confession boxes and knockout showtunes, but mostly with colour, happiness and charm, the amateurs of Ripon know how to put on a show.

Sister Act is at Harrogate Theatre until Saturday, 20 April.

(Lead image: Helen Tabor Photography)

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Review: Unhomely: Three Tales of Terror at Harrogate TheatreReview: Unhomely: Three Tales of Terror at Harrogate Theatre

Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com. 

Adam Z. Robinson, writer, performer and founding member of theatre company, The Book of Darkness and Light, loves a spooky tale.

And that is what we are promised with Unhomely: Three Tales of Terror, each thread, as the play’s title suggests, loosely based around the idea of home and its hidden horrors. Here, home is anything but homely.

It is a house, crumbling, Gothic-like, engulfed by a smoke-machine-induced fog, that provides the production’s backdrop, along with a ghostly score and dim lighting. As the play opens, we are given a choice: to stay, or to leave now, before it is too late…

Mirroring the play’s structure is its cast of three: writer Robinson himself narrates, and is joined by two players, Amy Helena and Brian Duffy, who perform using a combination of British Sign Language and Visual Vernacular, a physical theatre technique combining gestures, bodily expression and mime as a narrative tool.

Each cast member plays a myriad of characters, all the while ensuring clarity of delivery. Each tale feels distinct from the other, each presented and told in a slightly different way, and there is, at the play’s core, a real sense of classic storytelling. A multifaceted approach to this age-old practice injects a novel, attention-grabbing feel.

Yet, this spooky play isn’t altogether that spooky, marred, for me, by being too long. Each segment feels like a novella rather than a short story, and by the end, I felt like I’d endured a chunky, under-edited tome.

It also had a touch of the predictable about it, lacking the body and depth to make this a terrifying tale unlike anything we’ve ever seen or heard before.

The play’s storytelling is where its true potential lies, and in its ability to weave together inclusive narrative approaches. With some refinement, I’m sure it could deliver on its spooky promise to chill and thrill.  

Unhomely: Three Tales of Terror is at Harrogate Theatre until Saturday, April 13.

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