Knaresborough’s annual summer arts festival Feva will begin on Friday with a 10-day programme of about 80 events.
Feva has become one of the town’s main events of the year, with many shops decorated in promotional pink as part of a window competition organised by Knaresborough and District Chamber.
First held in 1996, this year’s line-up include a talk by book editor Ana Sampson on the hidden history of woman writers, an outdoor performance of Shakespeare’s Twelfth Night and Status Quo tribute act Status Faux.
Picnic in the Park, a free afternoon event at Knaresborough House featuring bands and DJs, takes place on August 19.
With Knaresborough Lions‘ three-day beer festival taking place on the same weekend, the town will be in celebratory mode.
Shop windows are decorated in Feva pink for the festival.
However, preparations have been hit by the Feva Facebook page being hacked,
Gwen Lloyd, chairperson of the Feva committee, said it had done everything possible to take back control of the site or even get it removed but Facebook had not acted.
A new Feva Facebook page with details of events is available here.
Ms Lloyd said:
“It’s been very frustrating. We’ve had to set up a new page and getting people to realise has been tricky.
“The old Facebook page is now under the control of someone in Vietnam. We can’t even get Facebook to close it down.”
Feva, which was founded by the late Derrick van Zelst and his son Robin, includes a combination of free and paid-for events.
It was initially called Knaresborough and was more of a folk festival, but changed its name to Feva — which stands for ‘festival of entertainment and visual arts — in 2001.
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Hot Seat: The man bringing international artists to a village near Harrogate
In June every year, something close to a miracle occurs in a small village 11 miles from Harrogate.
Major names in the international arts world converge for 10 days on Aldborough — a beautiful and historic place but hardly known for capturing the zeitgeist.
For arts lovers, however, an annual pilgrimage to the Northern Aldborough Festival has become part of the summer arts scene. They park in fields, drink Pimm’s in a churchyard marquee and get to see the kind of names who usually appear in less soulful venues in Leeds or York.
The festival, which grew out of a fundraising initiative to restore the church organ in 1994, consistently attracts major international talent.
This year’s line-up, from June 15 to 24, includes the likes of South Korean pianist Sunwook Kim, TV historian Lucy Worsley, trumpeter Matilda Lloyd and a singing competition judged by a panel that includes Dame Felicity Lott.
Lucy Worsley is among those appearing this year. Credit Hay Festival / Paul Musso
Festival director Robert Ogden, who overseas the programme, is best known locally for running Ogden of Harrogate, the fifth generation family jewellery business on James Street.
But Mr Ogden has strong credentials in the arts world: a former chorister at Westminster Cathedral Choir School in London, he completed a choral scholarship at King’s College, Cambridge before forging a successful career as a countertenor, singing around the world in major productions alongside the likes of Jose Carreras.
Since he became festival director in 2010, the festival line-up has broadened and this year includes spoken word events and jazz as well as classical music and culminates with an outdoor pop music party and fireworks in the grounds of Aldborough Manor.
Mr Ogden says the change reflects his own wide tastes but also acknowledges “we can’t rely on our core audience”.
Robert Ogden
Festival planning is year-round but he takes a two-week break from the jewellery business to focus fully on the festival in the immediate run-up.
He says things are shaping up well this year ahead of Thursday’s opening night. Asked for his personal highlights, he cites Matilda Lloyd, the opening night Haydn opera double bill, Monteverdi’s Vespers and the new £7,000 singing competition. He says:
“Of all the things we have done in the last 15 years this competition is perhaps the most exciting. I’m certain at least one or two of the semi-finalists will be household names in the next few years.
“There’s nothing a festival wants to do more than to unveil and support new talent.”
How does he persuade occasionally temperamental artists to head to the eastern side of Boroughbridge? He says it’s a combination of the festival’s reputation, the St Andrew’s Church acoustics, the setting and the welcome. Aldborough, he says, is the “perfect chamber music space” and there is something undoubtedly magical about it.
St Andrew’s Church in Aldborough
Mr Ogden says he never feels the festival is in competition with the year-round Harrogate International Festivals and thinks there is scope for another local summer arts festival “if it’s marketed well”. Besides Ryedale Festival and Swaledale Festival, competition isn’t fierce.
But it isn’t an easy time in the arts world. Brexit, he says, has denied many emerging artists the opportunities he enjoyed to develop his craft in Europe. The cost of living crisis had had an impact on ticket prices, but Mr Ogden says Aldborough hasn’t made “any major price rises”.
Future festival ideas include live streaming, although digital connectivity in the village isn’t great, and recording music under the Northern Aldborough label.
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He plans to stay at the heart of things, reporting to festival chairman Sir Andrew Lawson-Tancred:
“As long as I feel I still have that creative urge and impetus I will aim to do it as long as they allow me to.”
What is his message for anyone thinking of attending, perhaps for the first time?
“Aldborough is not far to drive from Harrogate. It’s an oasis of calm, the acoustics are wonderful and the welcome is wonderful. Try something new.”
Further information on the Northern Aldborough Festival is available here.