(Lead Image: Usplash)

Upcycling can be a great way to breathe new life into old furniture, which is not only better for the environment, but also beneficial for your bank account too.

Social media is awash with time-lapse videos showing people turning preloved tables and cabinets from drab to fab – and while satisfying to watch, those ten second reels don’t fully represent the time and effort applied to each transformation.

It can be a daunting prospect to pick up a paintbrush or sandpaper and give it a go, but everybody has to start somewhere. The Stray Ferret spoke to Yorkshire artists and enthusiasts involved in upcycling and sustainability, to share some handy tips.

 Don’t be afraid to experiment

Jodie with one of her creations (Jodie Flavell Artist)

 Last month the Stray Ferret spoke to Harrogate-based artist Jodie Flavell about her background and the imminent opening of her new shop on Mayfield Grove. Although she had no formal training in interior design or art before she started working on preloved furniture, she managed to take what was a creative outlet and make it into a fully-fledged business.

She also shared some of the key learnings she’s taken from her experience, especially lessons she had to discover for herself along the way. Her first tip would be to carefully choose the right ‘canvas’ or item of furniture to work on.

Jodie said:

“Proper wood, even veneered wood is better as it can be sanded down, but cheaper, laminated wood effect is much harder to upcycle, and doesn’t take on paint as easily.”

Secondly, upcycling is all about experimenting – Jodie recalled that through her own trials and errors she realised ‘you don’t need to paint things one colour’ and that a light touch is needed.

“Sometimes people feel like they need to get as much paint on there and can be heavy-handed which is what causes drips and streaks.”

Start simple

Before and after (Image: Jessie Parker)

According to upcycling enthusiast Jessie Parker, an easy route into upcycling requires two simple variables: a spray can and a flat surface.

She explained:

“I’m a big fan of making my home look lovely, but I’m not a big fan of buying new. That’s why I love finding items in charity shops that look a bit sad but, with a bit of work, have real potential.

“Things like mirrors and old metal picture frames can be easily revived with a bit of spray paint.”

Jessie’s favourite colour to use is metallic gold as it can instantly make an item of furniture more vibrant. She recommends thoroughly sanding down the surface first and wiping it over with a damp cloth to remove any dust, so the colour has the best chance at holding.

Equally as important is to make sure when spraying the item, it’s placed on a flat surface, otherwise the risk of bumps, drips or uneven coverage can increase.

She added:

“You then want to shake the spray paint for at least a minute to avoid the fluids separating. I usually do three coats but you can experiment with this to get your desired results.

“You’ll soon have the spray painting bug and always been on the look out for new things to upcycle and rehome.”

First impressions aren’t everything

(Image: Usplash)

 It can be easy to see a chair upholstered in a loud 80s fabric or a careworn table and immediately write it off as unsalvageable – or simply too ugly to transform. However, learning to look past the dated exterior and consider the potential in the piece is something that James Gascoigne from Leeds realised the hard way – and it left him kicking himself on the missed opportunity.

He explained:

“I moved into my first home in August 2022, and I was pretty hard up after buying a house, but I didn’t want to just buy cheap for-now pieces that I didn’t really like and would end up replacing quickly.”

James turned to Facebook marketplace for some of the larger items of furniture and came across a chair that he liked the look of – despite what he described as its ‘poor condition’.

However, after sending the picture to his partner he was dissuaded from buying it. It wasn’t until a several weeks later, when he mentioned it to a friend that he realised just what he’d passed up on.

“I showed this friend and they said they thought it was worth something and it looked pretty vintage – she thought it was a Ming chair, a famous style of furniture.

“When I Googled it, she was right – although we didn’t know how old the one on Facebook marketplace was, some of the high-end stuff goes for upwards of £400 and this had been sold for a fraction of that. Oh yes – it was sold straight away, no doubt to someone who didn’t hesitate.”

James didn’t make the same mistake twice and has successfully turned his hand to many other upcycling projects since around his home. His advice would be to at least view the item if you’re unsure – it’s a good way to check out the vintage credentials.

Not all projects are created equal

(Image: Pixabay)

With previous experience transforming preloved furniture to sell on as a passion project, Harrogate-based Steph Flint has several pearls of wisdom to share with budding upcyclers.

Explaining why she enjoys the process of giving furniture a new lease of life, she said:

“I can never find a piece of furniture in a shop that I like enough to purchase. I prefer old furniture with character that has stood the test of time.

“It’s very satisfying seeing an old dark unloved cabinet that nobody wants, become the focus point in a room, with a new purpose. I find painting furniture very relaxing, and I enjoy the creativeness. It can become quite addictive.”

In her time, she’s found that dark, ‘post-war’ furniture takes on paint easily, and is often sold cheaply, as it isn’t considered to be in fashion. But the right type of furniture isn’t everything; using the correct tools is important to the success of the project too.

Steph added:

“Start with something small – a small table or a chair. I prefer to use chalk paint.  It is very forgiving and there is no preparation required before you start.  Top tip – use synthetic paint brushes, they don’t shred and clean very easily.”

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Mercer Art Gallery in Harrogate is appealing for sponsors to support a major new exhibition this summer. 

The show, called Total Recall: Myth and Memory, will feature archive works and new acquisitions, as well as some contemporary works by five young Northern artists.  

Co-curator Joe Nickols said: 

“We are exhibiting some highlights from our collections, including John Piper prints, paintings of Harrogate by  John Atkinson Grimshaw, and intriguing works by Cândido Portinari.

“New acquisitions come from Lisa Dracup, Kate Mellor, Caroline Walker, Dorothy Cross, and Martin Creed. To complement this we are working with five contemporary Northern artists to further the exhibitions resonance to our area and explore how art is developing. These artists are: Sally Barker, Ka Bird, Jill McKnight, K Walker, and Hang Zhang.

“The exhibition is a great opportunity for these new artists to show their work in a public gallery. We are hoping to grow a budget of around £2,000, which will go to support the artists, transportation of artwork, and outreach production costs. The Mercer Art Gallery is striving to be more inclusive and grow engagement with the local community, and this exhibition is part of this progression.”

A detail from plmvlt, a 2021 work by Newcastle artist Ka Bird.

The exhibition, due to run from July 13 to the end of October, will feature some pieces that have been seldom seen, as well as others which may be more familiar to viewers, such as a copy of Work No. 88 by Turner Prize-winning artist Martin Creed. The work caused considerable controversy and made headlines internationally when it was first unveiled in 1995, as it consists simply of a “sheet of A4 paper crumpled into a ball”. 

Joe said: 

“Some people don’t enjoy that piece, but it does ask a lot of questions. What was it? What memory was inside it? What does it contain?” 

Mercer Art Gallery is currently hosting an exhibition of works by Yorkshire-born Martin Creed, in collaboration with Tate and National Galleries of Scotland. 

Creed’s Work No. 370 Balls 2004 fills the entire main gallery at the Mercer. The vast installation features nearly 1,000 balls of different scale, weight and texture. Visitors will also be able to see Creed’s iconic neon Work No. 890: Don’t Worry 2008 alongside Work No. 1340 2012, a large-scale wall painting of diagonal stripes. 

Artist Rooms Martin Creed runs until July 2, and admission is free. 

For information on Mercer Art Gallery and its exhibitions, go to its page on the North Yorkshire Council website. 

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The Mercer Art Gallery in Harrogate has launched a new exhibition of pieces by local artists living with disabilities. 

The World Through Our Eyes features pieces created over the last year by “differently able” artists working with Harrogate-based Artizan International. 

The registered charity supports people with disabilities in the UK and in the developing world, through therapeutic arts and crafts workshops, training and social enterprise. 

Liz Cluderay, Artizan’s UK director, said: 

“Adults living with disabilities in our community have the potential to develop their creativity at Artizan, through our programme of arts and crafts activities, we aim to reduce loneliness and support mental health and increase general wellbeing.” 

Artizan hold arts and crafts workshops every day from its town centre premises, overseen and guided by local artists helping to develop their skills and experience of different art mediums. 

Hannah Alderson, who is studying at Harrogate College for an MA in Creative Practice, helped to curate the exhibition. She said: 

“We’re not just holding the art sessions for the sake of it – our artists are all making real progress and becoming very accomplished in a range of mediums and techniques. 

“This is really about the adults with additional needs and celebrating the quality of their work. It just goes to show that they are just as able to create fantastic pieces of art as anyone else.” 

The artists, whose disabilities range from visual impairments to learning disabilities, have selected their best pieces of work for the exhibition, which opened on Saturday. 

The World Through Our Eyes will run for six weeks at the Mercer Art Gallery, Harrogate. There will also be a private viewing, with the chance to speak with Artizan members, on Sunday, February 5, from 4.15 to 5.15pm.

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If you have wandered around Harrogate, you may have noticed a boom in the number of independent art galleries in the town.

In recent years, at least three have launched, including Messums Yorkshire, Watermark Gallery, and Bils and Rye.

And this is in the addition to the established galleries in the town, such as the Mercer, Silson Contemporary, RedHouse Originals and York Fine Arts – to name but a few.

All have proved to be a major draw for both artists and collectors, with many placing an emphasis on promoting Northern talent.

Silsen Contemporary Art Gallery, based at Sarah Collier’s home on Harlow Oval.

Liz Hawkes, director of Watermark Gallery, which opened on the historic Royal Parade in March 2020, said:

“I think there are lots of reasons why Harrogate is great for art. There is the town’s antiques and art heritage.

“There’s also Yorkshire’s art heritage. From Hockney to Hirst, you have got very well-known Yorkshire artists. This area is very well-served by local artists who love to come here and paint, because it’s so beautiful.

“A lot of people also love to visit Harrogate and it’s a very affluent area, with lots of residents who like to buy art.”

Liz, who owns the gallery with her husband Richard, said all the galleries in the town offered something completely different, from ultra-modern contemporary art to traditional Victorian watercolours.

She said:

“You’ve got some fabulous galleries. Each have their own identity.

“We have 57 artists across all media, which is the main point of difference for us.

“Not everybody is always in the market for a painting, but you might pop in for some ceramics or jewellery.

“I think the other thing about us is accessibility. We have really focused on making this gallery accessible to all people. So many people find galleries intimidating.”

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Liz explained that art had become more accessible than ever in recent years thanks to the Own Art scheme. The national initiative makes buying contemporary art and craft affordable by providing interest-free credit for the purchase of original work.

The Watermark gallery is holding six exhibitions this year, with the next, Off the Beaten Track, featuring Yorkshire ceramicist Michele Bianco and Scottish-based Swiss painter, Pascale Rentsch, planned in March.

A number of workshops, courses and lectures will also take place in the studio space at the back of the gallery.

The Watermark Gallery. 

Liz said:

“I think the days of dusty old galleries have gone. The modern gallery is one where things are happening. It’s interactive and fun.”

Johnny Messum, director of Messums Yorkshire, also known as Messums Harrogate and Messums North, agrees that the town is a perfect location to showcase artistic talent.

After an extended stay on James Street following a successful temporary pop-up exhibition in 2020, Messums is moving out of the building at the end of this month.

However, the contemporary art dealer is hoping to find another location in Harrogate and is currently looking for a new site.

Photograph: @messumsyorkshire, Instagram

He said:

“We really want to stay, we just need to find the right venue. We hold very good relationships with our collector base here and have a strong presence in Yorkshire.

“Harrogate is a great place to act as a lightening rod for drawing attention to creativity in the area.”

Johnny said the quality of the art and the number of galleries in Harrogate attracted to people to the town, with many collectors making a special visit.

The gallery’s most recent exhibition, Routes North, has just come to an end, which brought together multiple artists whose work reflects the variety and vibrancy of the region, from Knaresborough to Newcastle.

The exhibition represented the first presentation in the North of this programme, which has been championing emerging talent across Messums sister galleries in London and Wiltshire for the last five years.

It’ also set out to prove that that all roads don’t lead to London when it comes to the quality of work and artistic talent.

Johnny said:

“What’s driving the future of our stay in Yorkshire is that the creativity of the art produced in the area is really exciting.”

Work by Jill Tate and James Thompson at the Routes North exhibition. Photograph: Messums Yorkshire.

Councillors have expressed concern that plans to erect a sculptural montage of ancient buildings of Rome on a Ripon bypass roundabout could cause traffic accidents.

The five-metre high cast resin sculpture, with information plaque and lighting, is planned to celebrate Ripon Cathedral’s 1,350th anniversary.

But there are concerns it may distract motorists and cause accidents.

The cathedral plans to commission five major art works over a four-year period.

The proposed location for a boat sculpture depicting St Wilfrid’s sea travels.

Three of the works require approval from Harrogate Borough Council and a planning application has been submitted.

Under the theme of From Rome to Ripon, they will tell the story of the city’s patron saint and cathedral founder St Wilfrid.

The concept is supported by Ripon City Council, but at a meeting on Monday evening, they agreed to seek a meeting with the cathedral’s project team to discuss concerns.

City council leader Andrew Williams said:

“In principal, I fully support the artwork proposal, but I feel that we need to look again at the sculpture proposed for the roundabout.

“The bypass is a very busy road and I am concerned that the artwork with lights on could be a distraction to road users and lead to accidents.

“I also question how sensible it would be to have an information plaque on the sculpture – we wouldn’t want pedestrians to walk on to the roundabout to read it.

“Surely there must be a better location than this for the artwork.”

Fellow councillors agreed there was a need for further discussion with the applicant.

The council will write to Harrogate planners calling for the application to be deferred until this aspect of the plan is resolved.

The other two sculptures requiring planning permission are, firstly, of a boat containing figures that represent St Wilfrid on his sea travels. He made several visits to and from Rome during his time in Ripon.

This would be the first of the installations in June of next year.

The second installation, cast in bronze and standing five metres high, would depict St Wilfrid and a follower, which is planned for the corner of the Market Square that looks down onto Kirkgate.

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It is proposed that this will be in place by June 2024.

The artwork currently earmarked for the Ripon bypass roundabout would initially be installed from June 2025 in the narthex at the the western end of the cathedral, before being relocated.

An artist with terminal cancer is staging an exhibition to raise funds for a local charity that has been treating her illness.

Sharon Tinayre Carrick, a much-loved art teacher from Harrogate, wanted to raise money for the Sir Robert Ogden Macmillan Centre at Harrogate District Hospital.

Ms Carrick was determined to support the staff that have helped her during several months of treatment.

Her exhibition at Art in the Mill in Knaresborough was initially planned for March but had to be postponed due to coronavirus.

Both Sharon and the gallery owner, Andy Grinter, were determined to continue with their plans at a later date.

Over 80% of the items in her solo exhibition have already sold, despite only opening on Thursday. The total raised currently stands at £4350.

Ms Carrick, who uses her middle name to sign her art, said:

“It’s wonderful that all this art is raising so much money. I think it will make a big difference to the centre, they tried really hard with me and it’s really important they’re supported.

These charities are really important. It’s the most positive thing in my life right now and to know so many people are supporting it is just wonderful.”

The ‘Was I Really There’ exhibition is a collection of pieces using different mediums, including some following a birthday trip to Venice with family.

Mr Grinter, owner of Art in the Mill, said:

“We have put an awful lot of work into this alongside Sharon, and she decided very early on it would be a fundraiser to thank people for their help. It’s gone far above and beyond what we were expecting. People have seized the opportunity to remember and to support Sharon. It was all her idea, energy and commitment and of course we have done all we can to support it.

“After lockdown it was all hands on deck to bring it together. It’s been a great success, it is a standing testament to the amount of goodwill and sentiment in the community.”

As an art teacher, Ms Carrick worked with students at Rossett Adult Learning and The Orb in Knaresborough.

A Harrogate artist is hoping for further recognition for his work as galleries begin to reopen following lockdown.

Andrew Moodie was a lawyer for 30 years before he changed career paths to pursue his love for art.

During lockdown, he has enjoyed the additional free time to explore the local countryside and paint. He now hopes to build on his skills and find a gallery to work alongside.

Mr Moodie said:

“I was a lawyer for 30 years but never felt like the right thing to be doing. It paid the bills but it wasn’t what I wanted to do. I can now just head out into the sun instead of staring at it out of a window. I go out quite a lot to find somewhere to paint but it’s not as easy it sounds. You need local knowledge to find the best places.”

Andrew is often taking his easel around the district to paint.

Read more:

• A new art gallery has opened in Harrogate, aiming to put the town “on the map” for art. 
• A Harrogate art teacher is using her talents to raise money for the medical staff who tried to save her life following her terminal cancer diagnosis. 

Over lockdown, Andrew has been able to take part in online classes to improve his skills within different art forms. Now, he is hoping to take the next step in his new career. He said:

“I hope to get more recognition and improve my skills. You need that recognition to get a spot in a gallery but hopefully that will come with time. Being a lawyer, I had to be direct and precise but now I can just splash the paint on the canvas which is always fun.”

He also featured on the previous series of Sky Arts “Landscape Artist of the Year”. His work is currently sold through online platforms Artfinder, in the UK, and Singulart, based in Paris.

Contemporary art dealer Johnny Messum is opening a permanent exhibition space in Harrogate having trialled it as a pop-up.

His new gallery on James Street will hold six shows a year to exhibit the best of modern British art. Following this morning’s report of Laura Ashley’s closing down sale the decision to open the gallery permanently  on James Street will be welcomed.

Launching on 11-12 July visitors are asked to book timed appointments to view the exhibits safely. The summer opening will begin with a showcase dedicated to female artists from the 1950s and 1970s.

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The owner Johnny Messum said:

“I am delighted to be opening a gallery for Yorkshire’s discerning viewers in a town we know so well. I am looking forward to strengthening the gallery’s longstanding relationships in Yorkshire as well as to forging new ones. At times like these, the power of art to inspire and uplift is more important than ever.

Our vision is to create a place where artists, art lovers and collectors can come together on a regular basis to enjoy the best contemporary art and craft from every corner of the world”.